Important: No assignments or course documents, including the syllabus, should be considered to be in their final form until the first week of class begins.
Each week, I’ll provide you notes and an overview of the week’s content (just like this document). These docs will detail specific readings, assignments, and due dates for each week. In general, when people email me about being confused about what to do that week, I will ask them: “Did you check the overview?” Always check these weekly documents first!
I have structured coursework around a Tuesday/Thursday schedule, so you will see assignments and readings broken up into two days each week. To read more about how and why the course is scheduled the way it is, please review the “Course Conduct” section of our syllabus.
If you find something in error, or are confused about any part of the instructions, please email me at christopher.andrews@tamucc.edu. If your question is one that the entire class will benefit from hearing, I will likely share the answer with everyone!
Before you dig into any of this week’s assignments, be sure that you have:
A short welcome from me, your professor.
(This article contains material adapted from https://www.prismnet.com/~hcexres/textbook/intro.htm)
Technical and professional writing (TPW) courses introduce you to some of the most important aspects of writing in the worlds of science, technology, and business—in other words, the kind of writing that scientists, nurses, doctors, computer specialists, government officials, engineers, and so many other kinds of people do as a part of their regular work.
Quick sales pitch: As well as this introductory course, TAMU-CC also has a TPW minor, a Writing for NonProfits certificate, and a Technical Communication BAS Track. With practice in a variety of genres, modes, techniques, and emphasis on tons of communication skills, the TPW Minor is an excellent accompaniment to any course of study.
One thing you’ll hear me say a lot is that TPW is all about using writing to do something. It’s not there for the sake of itself or for entertainment—TPW has a purpose and an audience and those people need your writing to get their work done.
To learn how to write effectively for the world of work, in this class you’ll study common situations for and and genres of writing in your future career. You’ll practice special format items such as lists and headings, techniques for putting graphics into your work, and some techniques for producing professional-looking documents. And you’ll research writing in your field by talking to experts and looking at real, working documents.
This TPW course will build on what you’ve learned in other writing courses, adding deeper consideration of audience and situation and special writing and design strategies to your communication toolbox. If you currently have a job or internship in which you do some writing, you’ll discover that you can put what you learn in this TPW course to immediate use.
A lot of times, people will tell me that technical communication is dry, boring, awful stuff. And sure, some of it is. (See Figure 2.) But technical writers and communicators (whether they’re professionals or not) cover just about every topic (Figure 3), and once you start looking for it, you’ll realize technical communication comes in some really interesting, creative, engaging, and because of that, deeply useful forms.
The field of technical communication is essential in a wide range of fields and occupations. It is a fully professional field with degree programs, certifications, research, and theory. It’s a good field with a lot of growth and income potential; and this introductory TPW course is a good way to start if you are interested in a career in this field.
The first part of the course will explore some fundamental concepts for helping you think about technical and professional writing. I’ll introduce rhetoric, genres, audiences, discourse communities, and other concepts that will help you think about the complexity of writing in professions, organizations, and social groups. A few ideas to get in your brain right now include:
Writing is social. There are a lot of bad ideas out there about writing, and they come to us from a lot of different places: often from movies, tv, and writers themselves. Popular portraits of writers make them out to be genius recluses, mystical originary figures. We think of writing as a solitary, lonely activity where people just come up with stuff out of their brains. But the reality is that writing is always connected to other people, other contexts, and other texts. We write to share meaning. As writing and literacy scholar Charles Bazerman writes: “The potential of making and sharing meaning provides both the motive and guiding principle of our work in writing and helps us shape the content of our communications” (Threshold Concepts, 2015, p. 22). When we write we’re thinking about and working with audiences, and we’re often collaborating with other writers and using materials from a whole ecology of other texts.
Pretty much everyone does technical communication. The focus for this particular TPW course is not necessarily a career as a technical writer but instead an introduction to the kinds of writing skills you need in practically any professional job. No matter what sort of professional work you do, you’re likely to do lots of writing, and much of it will be technical in nature. The more you know about some basic tech. writing skills, the better job of writing you’re likely to do. And that will be good for the projects you work on, for the organizations you work in, the society you live in, and most definitely good for you and your career.
The meaning of “technical.” Technical communication-—or technical writing, as the course is often called—-is not just writing about a specific technical topic such as computers, but about any technical topic. The term “technical” refers to knowledge that is not widespread: knowledge that is the territory of experts or specialists. Whatever your major is, you are developing an expertise in concepts and processes and content knowledge: you are becoming a specialist in a particular technical area. And whenever you try to write or say anything about your field or your domain or out of your expertise, you are engaged in technical communication. This is not limited to the world of work, though–my grandma’s carne guisada recipe is technical communication, too.
Writing is not just writing anymore. I’ll try not to do it too much, but I do tend to slip freely between using “technical and professional writing” and “technical communication.” That’s because technical writing has never really been just about the words. Technical writers and communicators use all five modes of communication to translate meanings to their audiences: linguistic (words), visual (images), spatial (arrangement in space), aural (sound), and gestural (movement). Technical writers work multimodally, at the very least using both words and images, but commonly more than that when they’re communicating with their audiences.
Audience is at the center. For the first few weeks of the course, we’re going to talk about a lot of concepts, but the thing that we’ll really circle back to every time is audience. Technical communication is transactional: it is a “purposeful transaction between sender and receiver that provides specific information for practical and specific purposes and is usually geared towards the needs of a specific audience” (TWE Ch 1). Because of this transactional nature, professional and technical writers must adapt information to their audiences’ needs, level of understanding, and background.
Most importantly, and regardless of specifics of context, location, or sponsorship, professional and technical writing helps readers do things: understand a new process, learn a new technique, make a complex decision, understand what happened, make a thig, and so forth. In the context of workplace and technical communication, if your reader can’t understand the writing there’s a BIG problem. (And it ain’t usually the reader’s fault.) If your kid can’t understand the instructions you left for starting dinner because you didn’t write your note in a way that makes sense to them, that’s not their fault either! Spending time considering your audience’s needs, values, and perspectives and how you will have to translate information for them is critical to creating effective, successful TPW. If you know who you’re writing to and why, you can make all kinds of rhetorical choices. As a person who’s going to have to use writing and communication to help other people do stuff, rhetorical awareness (the ability to think about goals and situations for writing) is going to be a significant skill.
Oh, here’s mine:
In Week 2 we’re going to think about the meaning of “technical and professional communication” some more, explore “audience” and “purpose” in greater detail, and begin learning about focusing on readers by talking about everyone’s favorite thing: EMAIL.
Remember that you may read/work ahead, but you are still responsible for engaging in actual discussion with your group members. They need to hear from you, and you need to hear from them. That’s part of how you’ll learn. Which is why you’re here.